Upon reading the article below about ESPN’s expansion into 3-D (in addition to mobile, online, iPads, etc…) the line that jumped out of the article was, “New second and third screens, online, iPad, mobile, are not cannibalizing traditional media. ” Said another way, it would appear that most of the new technology is adding to, not taking from, traditional media.

ESPN Pushes 3-Screen Approach, But TV Still King

Wayne Friedman, Jun 15, 2010

Las Vegas, NV — ESPN isn’t just about all screens all the time; it’s about content producers all working together, which can be rare in media. It’s also about moving fast with new technologies.

“Digital producers sit next to online producers [who] sit next to TV producers,” says George Bodenheimer, president of ESPN Inc. and co-chair of Disney Media Networks, speaking at the Nielsen Consumer 360 conference.

“I don’t believe in silos,” he says. “I hate hearing about silos.”

ESPN recently built the biggest digital-TV facility in Bristol, Conn., which the company believes is the largest facility of its kind in the U.S.

ESPN has been pushing its three-screen approach for some time now — whether it’s traditional TV, online, mobile or the iPad. These businesses are still growing, although the latter is small. “Nearly 10% of the people who watch the World Cup, and who enjoyed, weren’t watching on TV,” he says.

Television remains the big gun for ESPN. “Television is the Mac truck of media usage,” he says. Eighty percent of the sports network viewership comes from TV. New second and third screens, online, iPad, mobile, are not cannibalizing traditional media.

Bodenheimer says 75% of ESPN’s traditional TV usage comes from male viewers, with 85% of ESPN’s new digital video products also consumed by men. But he adds that the network has women users; it’s just that the cumulative usage of men versus women is much higher.

ESPN’s rapid deployment of new technology is necessary — even with doubters. “It’s very easy to throw your hands up [about 3D],” says Bodenheimer. “How big? How fast? What about the glasses? The answer is: We don’t know… [but] if we are going to continue to be leaders, then we must launch [these products].”

Why is this good for DRTV marketers? First, traditional TV media will continue to grow in the near future as the population increases. One only has to count the increasing number of cable/digital networks to bear this out. As we all know, more air time means lower rates, etc…

What’s even more intriguing is the opportunity new media presents for DRTV marketers. While much of the new media is still over-priced on a CPM basis, just imagine the day when those costs come back to reality. Combine these more rational media costs with DRTV’s ability to both utilize video content to drive a response, and track every single spot aired. Based on our experience in new media, that day is fast-approaching.

So get your 3D glasses on, grab your iPad and hold on, it’s going to be a fun ride!

Original article here:  ESPN Pushes 3-Screen Approach, But TV Still King

Bill McCabe is EVP/COO at A. Eicoff & Co., one of North America’s largest DRTV agencies.

But virtually all of them currently focus the super-short :30s and :15s length creative.  Where are the opportunities for DRTV marketers who use longer length spots?

The answer may surprise you: Hulu.

About a year and a half ago, Hulu ran an experiment where consumers were given a choice: they could view their online content with a longer-length :120 ad at the start, or with multiple 30 second ads during the program.  The results were astonishing – nearly 90% of Hulu viewers opted for the longer, two-minute ad.

What’s more, the overwhelming opt-in rate for the longer length ads strongly suggests a greater engagement level, as well.  A longer spot with a higher opt-in, greater engagement and more options for messaging than my :30s?  Marketers took quick notice, and blue chip companies from American Express to Sprint all used longer length creative on the site.

The takeaways are pretty clear to Eicoff: short copy may rule the roost now, but it would appear clear that :120s and :60s will eventually find their rightful place online, just as they have on TV.

Original article here: Why Long-Form Ads Are the Wave of the Future

Scott Ballew is Account Supervisor at A. Eicoff & Co., one of North America’s largest DRTV agencies.

“What does this product mean to me?”

“Why should I choose this product over that one?”

“And why should I pay that much?”

As a marketer, you’d better have convincing answers to all these questions.  But telling your product’s whole story and overcoming barriers to purchase, all within the confines of a fleeting, 30-second commercial, is a tall order.

Enter, DRTV.

DRTV’s longer format – 60 seconds to a full two minutes – allows you to build value, which, not surprisingly, has to happen before a sale is going to occur.  A longer format commercial is perfect for effective storytelling.  It strikes up a longer conversation, and it engages the target with more compelling illustrations.  It educates consumers about your product or service.  It can identify problems, and pose solutions.  These spots don’t just allude to product features, they can explain and even demonstrate the benefits and advantages the target will experience.  All this builds value with every passing second.

More compelling stories build greater value.  As value increases, the issue of price decreases.  When you reach critical value, the barriers to purchase crumble.  And a sale is made.

Lest you conclude that DRTV is the realm of the slicers and dicers and kitchen magicians, none other than David Ogilvy has proclaimed that direct response was his first love, and later it became his secret weapon.  See for yourself.

Jim Madsen is a Copywriter at A. Eicoff & Co., one of North America’s largest DRTV agencies.

Awareness of what these myths are can help prevent the damage they do. Here are the most common myths we’ve observed and the realities they obscure:

You can’t sell and build a brand in the same DRTV spot.

This myth is rooted in the early days of DRTV, when the common belief was that every second of the spot must be devoted to motivating viewers to respond. For hard-selling DRTV pioneers, building brand or anything that didn’t focus directly on the offer benefits was wasted time. Over the years, however, we’ve found that brand-building and selling aren’t mutually exclusive. In fact, delivering the brand message at the right time in the right way can actually increase response rates.

Late night and weekend slots are always the best times to run DRTV commercials.

Not always. Obviously, these are effective periods because they usually offer lower rates and the type of programming that DRTV thrives upon. But it may be that for certain offers, other slots are as effective or even more effective. We’ve found that there are instances when primetime can be effective for some direct response spots.

The most effective DRTV spots are ALWAYS two minutes in length.

For a long time, two minutes was the gold standard for DRTV. For many clients it still is. However, because of the diversity of offers on the air and the well-known brands using DRTV, even 30-second spots can work well. We’ve learned that the length of the spot should be shaped by the offer, by testing and by availabilities. The more flexible advertisers are when it comes to commercial length, the more likely they’ll produce an effective spot

You can’t sell products or services over a certain price point using DRTV.

Years ago, there was some validity to this myth. At one time, $19.95 was the cutoff. As viewers became more accustomed to buying via DRTV, as Fortune 500 advertisers helped legitimize many spots and as credit card usage for purchases became the norm, the old pricing limits became irrelevant. Nonetheless, some people in our industry still believe that it’s tough to sell high end offers, even though there’s a great deal of evidence to the contrary.

DRTV advertising has no impact on retail sales.

In some ways, this is the most persistent myth of all. For years, many people in our business believed that if people didn’t respond to a DRTV spot by calling the toll free number, they would never buy that product in a store; that DRTV commercials contributed nothing to creating awareness for and a predisposition to buy advertised products in stores. We’ve had clients who have run what are known as “dark tests” where they pull DRTV advertising for a period of time and measure how retail sales are impacted. They’ve found that store sales of their products decreased when the DRTV commercials were off the air and increased when they went back on. Clearly, direct response commercials have a positive, spillover effect on store sales.

Bill McCabe is EVP/COO at A. Eicoff & Co., one of North America’s largest DRTV agencies.

There has been a great deal of discussion regarding the web’s impact on television viewing. We’ve discussed at length the misperception that TV viewing is declining — there is plenty of research recently published that shows that, in fact, TV viewership is increasing.

Digging deeper behind the “TV is Dying” headlines, I’d propose that what the “experts” really want to be saying is, “The :15 and :30 TV Commercial is Dying.” I suspect that general marketers are beginning to learn what DRTV marketers have known for a long time — longer length commercials are more effective than shorter length commercials.

Here are a couple spots from Nike and P & G that appeared frequently during the Olympics:

Personally, I love these spots — I don’t get tired watching them. The question I ask myself is, “Would I like them as much if they were a :15 or a :30?” Probably not.

As more traditional marketers become exposed to the benefits of longer length DRTV spots, I believe you are going to see traditional marketers shift the balance from :15/:30’s to :60/:90/:120’s. The same reason DRTV marketers know they generate more calls/traffic per dollar via longer length sports, smart traditional marketers will learn this is the strategy they will need to follow for TV to be effective for them.

Bill McCabe is EVP/COO at A. Eicoff & Co., one of North America’s largest DRTV agencies.

Working with a celebrity endorser can be an expensive proposition for an advertiser. And, as many advertisers through the years have discovered, it can be fraught with peril.  But with DRTV, you can find out very quickly whether a celebrity is the right spokesman for your product.

Liberty Medical is in the business of home delivery of diabetes testing supplies and was committed to using a celebrity in their advertising.  Liberty tried a number of very famous actors without success.  The spots were pulled after short media tests, with minimal financial investment.

It turns out having an instantly recognizable name was not enough to resonate with potential Liberty customers. The spokesman had to know what living with Type 2 Diabetes is all about. Enter Wilford Brimley.

Click on the embedded video to see the spot created by A.Eicoff & Company, and hear Wilford Brimley’s story.  The spot was a long-term success for Liberty Medical.

After the initial two-week test with Wilford Brimley proved successful, a national rollout followed.  The difference was not the message or the markets where the spot ran.  The difference was the simple fact that Wilford Brimley understood what living with Type 2 Diabetes was all about; he was able to connect with the audience.  He knew that testing your blood sugar as often as your doctor prescribed was vital, even if it wasn’t the easiest or most pleasant thing to do.  He offered a bit of advice, he did it in a compelling manner and there was no mistaking what he wanted people to do: “Call Liberty, they’ll help you live a better life.”

Liberty Medical built their diabetes testing supply business significantly on a Direct Response Television campaign featuring Mr. Brimley.   This commercial, which ran successfully for several years, was also parodied on Saturday Night Live, featuring John Goodman in the role of “Wilford Brimley.” 

I’m not sure how Mr. Brimley took the satirical piece, (I didn’t dare ask), but when your commercial is being parodied on SNL it’s definitely part of the consciousness of American television viewers.  And that was a huge bonus for Liberty Medical.  A celebrity is not always the right way to go in a television campaign, but when you can test it with a Direct Response Television commercial, you’ll know very quickly whether you made the right decision.

Terry O’Sullivan is a Group Creative Director at A. Eicoff & Co., one of North America’s largest DRTV agencies.

Call Tracking

The development of telemarketing call centers has become just as important as any other element in DRTV.  When a person calls the number shown in a DRTV advertisement, they are directed to a call center where the call can be broken down into several statistics.  Most DRTV commercials place a unique 800-phone number on their spot, specific to that channel/daypart.  When a person calls one of the unique phone numbers, the call center can track which spot (channel/daypart) generated the call.  The call can then be analyzed and statistically reported by aspects such as cost per call, cost per lead, and conversion rate, which have become one of the most important elements when placing media.  These statistics help optimize where media is placed based on which channel/daypart/program produces the best statistics.  Many call centers today possess real-time tracking technology that gives media buyers the power to know more data faster and optimize more effectively based on this data.

Internet

The internet has provided a new medium to which the viewer can respond.  Many DRTV commercials also feature a URL the viewer can visit.  Some advertisers are even placing unique web address in their DRTV spots, e.g., www.company.com/tv1.  The use of a URL is a less formal response to a commercial, but can provide similar statistical feedback to advertisers.   Also, though viewers may not remember the unique URL in a commercial, they may perform an internet search for the company advertised in the spot.  If search has gone up, one can assume the commercial has had a positive effect.

Media Landscape

The television media landscape continues to expand.  The number of cable networks is increasing and becoming more fragmented, making it easier to place longer length spots (typically 2-minutes or 60 seconds in length) and target specific demographics.  For example, if an advertiser wants to target adults aged 65+, they are able to place DRTV spots on stations this demographic is likely to watch, and as a result, more likely to respond to.  This type of strategy not only drives more leads, but more qualified leads as the audience viewing the commercial are the ones targeted.

Fortune 500 Companies

Twenty years ago, top Fortune 500 companies like American Express would have never dreamed of using an 800-phone number or a call-to-action in their television commercials.  Having DRTV as part of their marketing mix was considered uncomfortable territory for these companies.  Nowadays, these Fortune 500 companies are calling us to learn how DRTV can help generate leads and more importantly, sales.  Whether it is driving people to a phone number, retail store or website, DRTV has been an effective ROI strategy for these top companies to produce results as well as build brand awareness.

With technology and the marketplace ever changing, the possibilities are endless for DRTV. At the current pace, advertisers in the next 50 years may have no choice but to rely on DRTV.  Alvin Eicoff would certainly agree.

Adam Poll is an Assistant Account Executive at A. Eicoff & Co., one of North America’s largest DRTV agencies.

This is especially important if you’re creating a direct response television commercial.

Over the years at Eicoff, we’ve put numerous products to that task in our DRTV commercials. Craftsman tools, Kenmore vacuums, beauty products, automotive… we’ve demoed it all.  Along the way, we’ve learned quite a few things. Here are some.

Demos don’t need to be boring. Whether it’s the angle you shoot it at, the art direction or the sound effects, demos can and should be dynamic.

Think visual. Some demonstrations are made for television, others not so much. Make sure what you’re demonstrating is something that can be told visually. For example, you cannot show how a product smells.

Take your time. Longer format television spots help you help the viewer see your product’s value. Unless you have something that does one thing and one thing only, it’s beneficial to have extra time to give viewers a more complete picture and better understanding of your product. “Wow, it does that and that and that… sold!”

Run a test. It may seem like a total no brainer, but it’s always a good idea to try the demos before you film the demos.  This ensures no hangs up on the shoot day and may actually create a thought or two on how to improve the demo.

Here are 3 examples of Eicoff DRTV commercials that work hard to tell a product’s story by utilizing the almighty demo.

Craftsman 2-in-1 Trimmer/Blower

Craftsman Clean ‘N Carry Powerwasher

Craftsman CompuCarve

Tim Burke is a Senior Vice-President, Group Creative Director at A. Eicoff & Co., one of North America’s largest DRTV agencies.

As I made my rounds of marketing conferences espousing the benefits of DRTV and how it would change pharma marketing, mostly what I received were stares. I quickly learned that pharma product managers in those days not only had no idea what DRTV marketing was, most had no consumer marketing experience either. They had built their success on B2B marketing to the physician.

While we as an agency had some success with a few clients, the growth never reached the level we thought it would. It seemed that while direct marketing was being used here and there, it hadn’t taken hold, for whatever reason. A few years passed.

I walked into a meeting a couple years back at a large pharma company. As the large group introduced themselves, it became apparent that 70% of the people from the company had the term “Relationship Marketing” in their title. The day had come — direct marketing had finally taken it’s place in the Pharma industry and it’s never looked back.

There are rumblings that the new healthcare plan will contain some restrictions on DTC advertising — until that time we suspect that direct marketing/DRTV will continue to play a larger role in DTC marketing.

Bill McCabe is EVP/COO at A. Eicoff & Co., one of the North America’s largest DRTV agencies.

In direct response television, bad communication makes for bad results.  In DRTV, the commercial lengths are often longer; the copy is heavier; and the need for understanding is even greater.  Thus, while the longer format provides a great opportunity to really make your words work wonders, it unfortunately also can become a showcase for one’s failure to communicate.  So when it comes to your TV commercials and relaying what you want to say, here are 5 ways to move your message in the right direction.

1  Make your words relevant and relatable

Instead of telling the viewer this is what my product or service does, try expressing what it means to them. For example, rather than saying, “This phone is equipped with a state-of-the-art global, galactic, digital-mapping navigation system,” try something more like, “With our phone in your purse, you’ll never know the feeling of being lost again and you’ll always know where closest coffee shop is.”

2  Stay focused

What is the main message you want people to take away?  Think about it.  Think some more.  And then do everything you can to ensure it does not get lost.  In longer format television spots, the big advantage is the ability to add more and more information. This is certainly a terrific thing because very often a 30 second spot simply does not offer enough time to tell your story.  However, if your big message is “our product will make you better looking,” and you open with that statement, then go on to talk about how the product makes you smarter, taller, funnier, faster, stronger, happier, less stressed out about your job and better at Sudoku puzzles without continuing to reinforce your main message, your spot quickly becomes less clear, less concrete and less compelling.

3  Speak their language

No, this does not mean if you’re airing your TV spot in Texas you need a cowboy for your voice.  What you need to consider is the fact that you understand your product or service in a completely different way than the guy sitting on the couch watching your commercial.  The internal, corporate jargon needs to be locked away in a file cabinet.  Be conversational. Be human. Be personal.  Make your message feel like it was written from one person to another.

4  Don’t forget your tone

Especially in direct response television, the tone of your spot can often fall into the category of “what tone?”  This is a big mistake.  Because it’s not only what you say, but how you say it.  First, you must think about the personality of your product, your brand or your service.  Is it friendly, serious, smart, energetic or something else?  If you don’t know the personality, envision what you would like it to be.  Tone can help your ad stand out from the clutter and really get noticed.

5  Lead them on a clear path

Okay, so you’ve done everything you can to get a consumer interested in your product.  You’ve made it relevant, spoke their language, stayed focus and engaged them with your tone.  Now you must make sure they know what to do.  If you want them to call, say it loud and proud. If you have a website in mind, put it up there on the screen as clear as can be.  Or if there is a store to go, let the people know.  Unless your product is well known and where it’s sold is super obvious, don’t be shy about telling the viewer exactly how to take action.  And don’t give them 8 different call-to-actions either.  Make their path simple and smooth.

The message you send in your TV commercial is everything.  The words you choose, and of course the visuals you use, should work effortlessly to convey your story.  Whether your story is easy to tell or much more challenging, you should always be thinking about that person on the other side of the TV and asking, “Do THEY get it?”

Tim Burke is a Creative Director at A. Eicoff. one of North America’s largest DRTV agencies.