Archive for the ‘DRTV Production’ Category
DRTV Can Serve as Virtual Pop-up Store This Holiday Season
Wednesday, July 27th, 2011
Traditional retailers know that in order to succeed, they need to locate their stores in targeted high-traffic areas. And many marketers rely on this distribution to drive sales. But imagine being able to quickly and easily change these locations based on your products’ sales volume and seasonality. It sounds too good to be true. But there is a way to ride the wave of high-traffic visibility without the cost and restrictions of brick-and-mortar retail: DRTV.
To put this in better context, consider the increasing popularity of pop-up stores. Many retailers have embraced the pop-up store during the holidays as a way to add flexibility and expand reach in order to take advantage of seasonality. The concept here is to offer a selection of popular products in smaller stores located in high-traffic shopping areas. These additional locations will also increase visibility for a retailer, and create a residual lift for their permanent retail locations and e-commerce platform. DRTV can have a similar impact. But it isn’t limited to traditional retailers.
E-commerce Opens Doors; DRTV Makes the Sale
As a marketer, if you have an e-commerce platform, you have a virtual store. Like most brick and mortar stores, it is a fixed location and relies on consumers to find it. Most e-commerce marketers rely on brand advertising support to create a buzz and drive high-volume traffic. Other than that, traffic is driven in lower quantities via targeted digital tactics like search and display advertising. But in most cases, none of these tactics are actually selling any product. For e-commerce, a DRTV commercial (:60 or :120) can serve as a virtual pop-up store, presenting your products for sale to a mass audience in the targeted high-traffic environment of television.
In a pop-up store, you can learn more about the specific products, and there are sales people on hand to convert the sale. A DRTV commercial can do these same things as an extension of your web site. And in the process, generate accountable revenue. But unlike a retail location, with DRTV you don’t have the commitment of a lease. Sure, the cost of creative production can be seen as a fixed cost similar to the cost to build-out, stock, and set-up a temporary retail location. But the media is flexible and accountable, so it can be optimized based on performance. And that is a big advantage.
It’s Time to Consider DRTV in Holiday 2011 Planning
It is easy for traditional marketers to overlook DRTV, because they are not familiar with its ability to deliver across several objectives: awareness, education, direct sales, and retail support. And prior to the development of their e-commerce platforms, most marketers didn’t have a way to efficiently fulfill sales directly to the consumer. But it is now time to take another look.
If you have the means to sell product directly to consumers, then DRTV is your virtual pop-up store. It is a two-pronged tactic that can increase retail sales and generate direct sales that will, at the very least, help fund your marketing costs. And if successful, it will produce an entirely new revenue stream. Given this potential up-side, don’t be surprised to see new DRTV campaigns unwrapped this coming holiday season.
Rob Schmidt is an Account Supervisor at A. Eicoff & Co., one of North America’s largest DRTV agencies.
7 Questions to Ask When Choosing a DRTV Agency
Wednesday, March 23rd, 2011
1. What is the DRTV agency’s primary focus?
Many agencies like to be all things to all people. They specialize in long-form DRTV, short-form DRTV, radio, search, banners, etc… While it would be ideal if agencies were great at all aspects of DRTV/direct marketing, my experience is that most agencies have one core specialty.
Either the agency is very good at half-hour infomercials and does short-form because their client needs them to; or they’re very good at short-form and try to improvise when it comes to half-hours. I think most DRTV veterans would agree with me on this.
2. What is the background of the agency’s principals?
How long have they been in the DRTV business? What companies/agencies have they worked for? Is their DRTV background long-form or short-form? You can uncover some interesting things.
3. Are the agency employees working on my business going to be full-time employees or freelancers?
I think it goes without saying that a full-time employee has a much greater investment in seeing your campaign succeed. Ultimately they will see a financial benefit if the clients do well. The freelancer is getting a set fee, regardless of whether the campaign succeeds or not.
While it may seem like overkill, it is important to visit an agency’s headquarters to determine whether the actual agency headcount matches the advertised headcount.
4. What is the headcount of the agency staff that works on DRTV full-time?
While an agency’s billings are a fair question, it is not necessarily a good indicator of experience. Headcount of staff devoted to DRTV is a better guide to an agency’s experience and clout.
For example, a multi-disciplined agency may have a client/brand that spends $200 million on TV. The objective of the campaign is to achieve awareness and store sales. The commercial does have a small 800# and URL, but the response is minimal
Further, the media is handled out of a holding company media group on the other side of the country. So, what appears to be $200 million in DRTV billings is actually a brand account handled by someone in another office.
5. What percentage does DRTV comprise the agency’s bottom-line business?
This will quickly give you a snapshot of whether the agency is focused 24/7 on DRTV or if it is a menu item of a much larger entity.
6. Does the DRTV agency supply full disclosure of rates paid to stations?
No matter what proposal an agency might present to you (i.e. “Guaranteed CPL’s”), unless you have the ability to see exactly what the agency is paying the station for every spot aired, you are susceptible to being overcharged. There’s a reason station affidavits are notarized – you should demand to see them. It’s a red flag if the agency won’t submit them.
For example, let’s say an agency agrees to a 5% commission, rebating 10% of the 15% agency commission back to you. They report to you a $1,000 spot on CNN, without supplying an affidavit.
The agency invoices you for $900 (rebating the 10% of the reported $1,000) which on the surface seems like a pretty good deal. However, the reality is the agency may have paid $750 for the spot, pocketing the difference. This would translate to a real commission rate of 20%. Demand to see the original unedited station invoice.
7. What is the DRTV agency policy on conflicts of interest?
Most companies do not want their agency working with a competitor. Not every agency looks at it that way. Clarify this upfront.
These are just a few of the questions you may want to think about when reviewing potential DRTV agencies. Good luck with your search!
Bill McCabe is EVP/COO at A. Eicoff & Co., one of North America’s largest DRTV agencies.
Choosing the Right DRTV Celebrity
Thursday, February 11th, 2010
Or How Wilford Brimley rode in on a horse, and Liberty Medical rides out with a success story.
Working with a celebrity endorser can be an expensive proposition for an advertiser. And, as many advertisers through the years have discovered, it can be fraught with peril. But with DRTV, you can find out very quickly whether a celebrity is the right spokesman for your product.
Liberty Medical is in the business of home delivery of diabetes testing supplies and was committed to using a celebrity in their advertising. Liberty tried a number of very famous actors without success. The spots were pulled after short media tests, with minimal financial investment.
It turns out having an instantly recognizable name was not enough to resonate with potential Liberty customers. The spokesman had to know what living with Type 2 Diabetes is all about. Enter Wilford Brimley.
Click on the embedded video to see the spot created by A.Eicoff & Company, and hear Wilford Brimley’s story. The spot was a long-term success for Liberty Medical.
After the initial two-week test with Wilford Brimley proved successful, a national rollout followed. The difference was not the message or the markets where the spot ran. The difference was the simple fact that Wilford Brimley understood what living with Type 2 Diabetes was all about; he was able to connect with the audience. He knew that testing your blood sugar as often as your doctor prescribed was vital, even if it wasn’t the easiest or most pleasant thing to do. He offered a bit of advice, he did it in a compelling manner and there was no mistaking what he wanted people to do: “Call Liberty, they’ll help you live a better life.”
Liberty Medical built their diabetes testing supply business significantly on a Direct Response Television campaign featuring Mr. Brimley. This commercial, which ran successfully for several years, was also parodied on Saturday Night Live, featuring John Goodman in the role of “Wilford Brimley.”
I’m not sure how Mr. Brimley took the satirical piece, (I didn’t dare ask), but when your commercial is being parodied on SNL it’s definitely part of the consciousness of American television viewers. And that was a huge bonus for Liberty Medical. A celebrity is not always the right way to go in a television campaign, but when you can test it with a Direct Response Television commercial, you’ll know very quickly whether you made the right decision.
Terry O’Sullivan is a Group Creative Director at A. Eicoff & Co., one of North America’s largest DRTV agencies.
The Power of the DRTV Demo
Friday, January 29th, 2010
With the spirit of the state of Missouri in mind, buyers of your helpful product or cool innovation will often bring a simple demand: show me! Thus, as much as powerful language and nice imagery can enhance your product’s personality and its brand, you cannot underestimate the power of THE DEMO in your television spot.
This is especially important if you’re creating a direct response television commercial.
Over the years at Eicoff, we’ve put numerous products to that task in our DRTV commercials. Craftsman tools, Kenmore vacuums, beauty products, automotive… we’ve demoed it all. Along the way, we’ve learned quite a few things. Here are some.
Demos don’t need to be boring. Whether it’s the angle you shoot it at, the art direction or the sound effects, demos can and should be dynamic.
Think visual. Some demonstrations are made for television, others not so much. Make sure what you’re demonstrating is something that can be told visually. For example, you cannot show how a product smells.
Take your time. Longer format television spots help you help the viewer see your product’s value. Unless you have something that does one thing and one thing only, it’s beneficial to have extra time to give viewers a more complete picture and better understanding of your product. “Wow, it does that and that and that… sold!”
Run a test. It may seem like a total no brainer, but it’s always a good idea to try the demos before you film the demos. This ensures no hangs up on the shoot day and may actually create a thought or two on how to improve the demo.
Here are 3 examples of Eicoff DRTV commercials that work hard to tell a product’s story by utilizing the almighty demo.
Craftsman 2-in-1 Trimmer/Blower
Craftsman Clean ‘N Carry Powerwasher
Craftsman CompuCarve
Tim Burke is a Senior Vice-President, Group Creative Director at A. Eicoff & Co., one of North America’s largest DRTV agencies.
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